Diablo made it an irresistible souffle. Knowing that every piece was between four minutes and thirty-two seconds and five minutes made for a fascinating comparative study. Stress-response pathways are altered in the hippocampus of chronic alcoholics.
Identification of functional variants from whole-exome sequencing, combined with neuroimaging genetics. It's clearly not the kind of thinking that could be arrived at overnight. Genetics of alcoholism.
He picked three different dancers he was interested in. In the meantime, "For the Record: Dancers Debate the Body Politic" unfolds in phases, too: Legendary local rabble-rouser Sara Shelton Mann will unveil the full triptych of her "Inspirare" next weekend, and homegrown choreographer Miguel Gutierrez returns from a burgeoning international career with two works about the intersection of politics and the body the weekend after.
During one frenzy, violinist Rick Shinozaki actually somersaults while eking out a few notes, and viola player Charlton Lee folds up and gets squashed like a bug by a strident Nol Simonse. Morris resurrected Prokofiev's original score but didn't show any feeling for the music.
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Kristin Long and Ruben Martin were scorching hot in the final pas de deux, energy running like an electrical current between their eyes. The three women who lead ODC have always contended that their dances reflect their vision of community, and as the company's local prominence has shot up, so apparently has its creativity.
That "In the Middle" should look like such an artifact of its era and also so fresh is testament partly to the vigor of performance it receives here, but mostly to Forsythe's evolutionary place in ballet tradition. In "I've Got a Crush on You," the man in a suit takes off her hat and turns out to be a woman - a vintage Smuin twist.
Axis Dance Company 20th anniversary season: Nov.